My Favourite De Morgan!
The De Morgan Foundation is supported by a team of dedicated volunteers, from a Board of Trustees to front of house volunteers, we couldn't manage [...]
Investigating Evelyn De Morgan’s The Barred Gate (c.1914-19) Through Technical Analysis
Alexandra Earl, a Paintings Conservation student at The Courtauld Institute of Art, discusses how technical analysis has provided a valuable insight into Evelyn [...]
Susie Beckham visits ‘The Gold Drawings’ exhibition
Review Evelyn De Morgan: The Gold Drawings In October 2022 Leighton House in London reopened its doors, following the completion of its £8m renovation. Located [...]
The Influence of Botticelli’s Portraits on Evelyn De Morgan
In 1894, Evelyn De Morgan painted Flora a tribute to Florence, its Goddess, and the work of Sandro Botticelli (1444/5 - 1510). Flora's elongated 'contrapposto' pose [...]
The De Morgan Museum awarded Accreditation Accolade
The De Morgan Museum isn’t your average museum. A large and beautiful collection of Victorian Pre-Raphaelite paintings and ceramics, it was homeless just five years [...]
150 years of De Morgan & Co.
In 1872, William De Morgan made his commitment to becoming a ceramic designer. He gave up his successful and lucrative career as a designer of [...]
Putting a Name to the Face in the De Morgans’ Artworks
"Mrs Keene" doesn't resonate as one of the greats of Pre-Raphaelite painting, but her name deserves to be as well-known as her face. In this [...]
The Presence and the Dream: Pre-Raphaelite Poetry Book
The Presence and the Dream: A Decade of the Pre-Raphaelite Society Poetry Prize. Edited by Serena Trowbridge and Sarah Doyle. Review by Glenda Youde. In [...]
Our De Morgan
This week, we asked you to chose your favourite De Morgan artworks to create an online exhibition together. "I think we can look at [...]
So long, farewell
Evelyn De Morgan’s Flora (1894) is internationally renowned as being one of the Pre-Raphaelite painter’s most accomplished pictures and a jewel in the De Morgan Foundation Collection. Such [...]